Works in Exhibition

Sara Angelucci

Arboretum (Boy/Double Ash) 2016
Inkjet print
79 x 112 cm (31 x 44”)

Arboretum (Man/Hat/Oak) 2016
Inkjet print
61 x 86.5 cm (24 x 34”)

Arboretum (Man/Maple) 2016
Inkjet print
61 x 86.5 cm (24 x 34”)

Arboretum (Man/Woman/Pines) 2016
Inkjet print
79 x 112 cm (31 x 44”)

Arboretum (Women/Ash) 2016
Inkjet print
61 x 86.5 cm (24 x 34”)

Arboretum (Women/Winter/Forest) 2016
Inkjet print
61 x 86.5 cm (24 x 34”)

The Venetian Forest 2013
Audio work
5 min. 30 sec.

Maritime Forest 2017
Audio performance
Soloists: Anne Fauteux, Gayle Young, Reinhard Reitzenstein and Lysanne Thibodeau

Omar Badrin

Cast/Off 2016-2017
Industrial fishing line, mason’s line, flagging tape

Catherine Blackburn

Our Mother(s) Tongue – nu nee, eel eh, tti, ee, se 2017
Seed beads, pins, velvet, gel photo transfer, cotton

Our Mother(s) Tongue – us, no, tti, ee, me 2017
Beads, pins, gel photo transfer, 24 kt. gold-plated beads, seed beads

Steep, Sip, Speak 2017
Teabag, acrylic gel, beads, sinew, birch bark, porcupine quills, rabbit fur

Tongue Tally 2017
Photos, resin, sinew, beads, tags, pins

Marlene Creates

Ballicattered, Blossoms, Brickle Ice, Clinkerbells, Devil`s Blanket, and Sparrow Batch, Blast Hole Pond River, Newfoundland, Winter 2012-2013
6 excerpts from A Newfoundland Treasury of Terms for Ice and Snow
Archival pigment digital prints
Each 61 x 173 cm (24 x 32”)

Head Lead, Pancake Ice, Scattering Ice, Sish, Slack Ice, and Way Ice, Conception Bay, Newfoundland, March 2014
6 excerpts from A Newfoundland Treasury of Terms for Ice and Snow
Archival pigment digital prints
Each 24 x 32” (61 x 173 cm)

Sea Ice, Conception Bay, Newfoundland, March 2014
HD video projection
14 min. 14 sec.
Christopher Darlington, video editing

Our Lives Concurrent for 58 Years Until the Hurricane, Blast Hole Pond Road, Newfoundland 2010
A cross-section from each of 22 spruce and fir trees that were felled by Hurricane Igor on September 21, 2010, arranged according to the trees’ positions in the forest, and a key to their ages.
Installation dimensions variable; key, 24 inches high x 30 inches wide (61 x 76 cm)
Tim Cohen, carpentry; Beverley Collett, graphic design of key; Don McKay, chainsawing; Andrew Trant, dendrochronology (tree-ring dating)

Barb Daniell

Black Totem 2014
Acrylic paint on paper, peony stalks, pantyhose, plants fibres, kelp
2.4 m (8’) x variable

Gray Totem 2014
Acrylic paint on synthetic fibre
2.4 m (8’) x variable

White Totem 2014
Acrylic paint on found wood, pantyhose
2.4 m (8’) x variable

Birch Totem l 2017
Floor units: willow twigs, wire mesh, wood
Totem: acrylic paint on wood, plant fibres, cotton, pantyhose, sanding disks, synthetic mesh, aluminum
2.4 m (8’) x variable

Red Totem 2014
Acrylic paint on pine
2.4 m (8’) x variable

Birch Totem ll 2017
Acrylic paint on paper
2.4 m (8’) x variable

Birch Totem lll 2017
Acrylic paint on paper
2.4 m (8’) x variable

Michael Flaherty

SpaceCraft 2017
Two sculptural kilns
Clay, gold lustre, glaze, insulated fire brick, aluminum, steel, wood

Will Gill

The Green Chair 2017
Fabricated steel, life-size
Site-specific installation
Commissioned by Bonavista Biennale

Six works from The Arctic Desert Series 2017

Embers/Black Gold 2017
Acrylic ink and chalk pastel on Grafix drafting film
91.4 x 111.8 cm (36 x 44”)

Extraordinary Circumstances 2017
Acrylic ink and chalk pastel on Grafix drafting film
91.4 x 111.8 cm (36 x 44”)

Fires’ Reach 2017
Acrylic ink and chalk pastel on Grafix drafting film
91.4 x 111.8 cm (36 x 44”)

First Light 2017
Acrylic ink and chalk pastel on Grafix drafting film
91.4 x 111.8 cm (36 x 44”)

My Own Magic 2017
Acrylic ink and chalk pastel on Grafix drafting film
91.4 x 111.8 cm (36 x 44”)

Warm Transfer 2017
Acrylic ink and chalk pastel on Grafix drafting film
91.4 x 111.8 cm (36 x 44”)

Doug Guildford

Nets 2001 ongoing

Doily 2003
Crocheted nylon-coated copper wire
Approx. 90 cm (36”) diameter

Heirloom 2008
Raw Silk
Diameter approx. 3 m (10’)

Mouth 2001
Found bait bags, crochet extensions
25.5 cm (10”) diameter

Net 2002
Crocheted stainless steel wire & glass
Approx. 5.2 m x 5.8 m (17’ x 19’)
Rope 2005
Crocheted poly twine, found objects
Approx. 12 m (40’)

Ruff 2005
Crocheted cotton-covered copper wire
38 x 89 cm (15 x 35”)

Skirt 2007
Heavy 2-ply copper-coated wire
Diameter approx. 1.2 m x 30 cm (4 x 1’)

Spike 2008
Crocheted black nylon twist over railway spike
5.5 m x 2.5 cm (18’ x 1”)

Spill 2015
Crocheted, tarred nylon seine line
Approx. 3.6 m (12’) diameter x 3.6 m (12’) to ceiling

The Pretty Lady 2005
Crocheted (pink) nylon-coated copper wire
5.5 m (18’) diameter

Wasp 2003
Crocheted poly-twine
Approx. 2 x 3 m diameter (6.5 x 10’)

Widow 2004
Crocheted black nylon twine
51 x 51 cm (20 x 20”)

12 drawings from Working Drawings begun in 2004 ongoing

12 untitled works from Working Drawings series begun in 2004
Mixed media drawings/paintings on wood panels
each panel 65.2 x 50.8 cm (26 x 20”)

Pam Hall

Re-Seeding the Dream East 2017
Steel poles, line, 150 handmade flour bag “codfish”
Site-specific installation
Commissioned by Bonavista Biennale

Towards an Encyclopedia of Local Knowledge 2010 – ongoing
Bookwork
Handmade case, loose “pages”

John Hartman

Conception Bay, NF, From Upper Island Cove to Grates Cove, 2016
Watercolor on paper
25.5 x 17 cm (10 x 6.75”) closed

Lisa Moore, Broad Cove 2017
Oil on linen
152.5 x 167.5 cm (60 x 66”)

Michael Crummey, Western Bay 2017
Oil on linen
122 x 173 cm (48 x 68”)

Michael Winter, Bradley`s Cove 2017
Oil on linen
152.5 x 167.5 cm (60 x 66”)

Sara Tilley, Elliston 2017
Oil on linen
122 x 137 cm (48 x 54”)

Iris Haüssler

Dust at Dawn 2017
Tape, dust and mixed media on mylar
Dimensions variable

Dil Hildebrand

E Unibus Pluram 2017
Collage
4 at 28 x 21.5 cm (11 x 8.5”)

The Peddler 2017
Acrylic, resin and nylon fibre and sand on acrylic panel in wood frame
180 x 127 cm (71 x 50”)

E Unibus Pluram 2017
Acrylic, resin and nylon fibre and sand on acrylic panel in wood frame
3 at 127 x 96.5 cm (71 x 38”)

Matthew Hollett

A House By the Water 2015
Digital projection
4 minutes

A City By the Sea 2015
Video
4 minutes

Frank Lapointe

Fog Entering Trinity Harbour 2014
Watercolour
67.5 x 90 cm (27 x 36”) framed

Fox Island Trail, Mid-Winter 2017
Watercolour
55 x 75 cm (22 x 30”)

Melting Ice, Peter’s River Gorge 2017
Watercolour
46 x 73.5 cm (18 ½ x 29 ½”)

Morning Seascape 2014
Watercolour
45 x 75 cm (18 x 30”)

Seascape 2017
Watercolour
56 x 75.5 cm (22 ½ x 30 ¼”)

Storm Over Conception Bay 2017
Watercolour
56.25 x 75.6 cm (22 ½ x 30 ¼”)

The Ridge 2017
Watercolour
47.5 x 74 cm (19 x 29 ½”)

The Trail from Spillar’s Cove 2017
Watercolour
56.25 x 75 cm (22 ½ x 30”)

Elizabeth McIntosh

Dimes 2015
Oil on canvas
71 x 56 cm (28 x 22”)

Inset 2017
Oil on canvas
61 x 51 cm (24 x 20”)

Leggy 2015
Oil on canvas
81 x 66 cm (32 x 26”)

Lost Boy 2016
Flashe and oil on canvas
45.5 x 51 cm (18 x 20”)

Waves 2016
Flashe and oil on canvas
76 x 51 cm (30 x 20”)

Whisper 2015
Oil on canvas
66 x 56 cm (26 x 22”)

Steve Payne

Isthmus 2014 – 2017
24 untitled photographs
Chromogenic prints
Dimensions variable: 28 x 43 cm (11 x 17”) and 51 x 76 cm (20 x 30”)

Barry Pottle

Foodland Security 2013
10 untitled photographs
Digital photographs
22.5 x 42.5 cm ( 9 x 13”)

Ned Pratt

Seven selected photographs 2008-2016

Aid to Navigation 2016
Pigment-based archival print
82.5 x 115.6 cm (33 x 46.25”)

Connaigre Peninsula 2015
Pigment-based archival print
82.5 x 115.6 cm (33 x 46.25”)

Lay-by, Wreckhouse 2016
Chromogenic print
82.5 x 115.6 cm (33 x 46.25”)

May 10th 2011
Pigment-based archival print
86.87 x 115.6 cm (34.75 x 46.25”)

Miller Mechanical 2008
Pigment-based archival print
86.87 x 115.6 cm (34.75 x 46.25”)

New Ferry 2016
Pigment-based archival print
86.87 x 115.6 cm (34.75 x 46.25”)

Shoreline Outcrop 2016
Pigment-based archival print
82.5 x 115.6 cm (33 x 46.25”)

Portraits selected from the series More Than Skin Deep 2014

Brian 2014
Pigment-based archival print
107.5 x 79.3 cm (43 x 311/4 “) matted

Crystal 2014
Pigment-based archival print
107.5 x 79.3 cm (43 x 311/4 “) matted

Gerti 2014
Pigment-based archival print
107.5 x 79.3 cm (43 x 311/4 “) matted

Jayn 2014
Pigment-based archival print
107.5 x 79.3 cm (43 x 311/4 “) matted

Robbie 2014
Pigment-based archival print
107.5 x 79.3 cm (43 x 311/4 “) matted

Steve and Jani 2014
Pigment-based archival print
107.5 x 79.3 cm (43 x 311/4 “) matted

Reinhard Reitzenstein

Waiting/Watching/Waiting 2017
Conifer trees, oil, red ochre pigment
Site-specific installation

Trees of the Carolinian Forest 2015-2016
Archival ink on wood panel
12 at 15 x 15 cm (6 x 6”)

The Tuckamores 2017
Pencil on paper
56 x 71 cm (22 x 28”)

Kelly Richardson

Leviathan 2011
2-screen HD video with audio
124.5 x 23 cm (49 x 9”), variable

Michael Snow

Solar Breath (Northern Caryatids) 2002
Video projection, sound, speakers, chairs
62 minutes

Laura St. Pierre / John Bath

Spectral Garden 2017
Native plants, slide projectors, wood, LEDs, tripod, etc.

Peter von Tiesenhausen

Island 2015
Video
9:24 minutes

Death’s Door 2017
Solar panel, video player, metal and wooden boxes

Scott Walden

Duntara Harbour 2017
150 peel ’n’ stick photographs

12 photographs from Unsettled Resettled series 1990s

Unsettled #6, Parsons Harbour, South-West Coast 1999
Photographic image on rag paper
25.25 x 35,25 cm (10.1 x 14.1”)

Unsettled #7, St. Leonard’s, Placentia Bay 1998
Photographic image on rag paper
25.25 x 35,25 cm (10.1 x 14.1”)

Unsettled #10, Indian Burying Place, Notre Dame Bay 1998
Photographic image on rag paper
25.25 x 35,25 cm (10.1 x 14.1”)

Unsettled #14a, Stone’s Cove, Fortune Bay 1998
Photographic image on rag paper
25.25 cm x 35,25 cm (10.1 x 14.1”)

Unsettled #25, Ireland’s Eye, Trinity Bay 1997
Photographic image on rag paper
35.25 cm x 25,25 cm (14.1 x 10.1”)

Unsettled #29, Indian Burying Place, Notre Dame Bay 1998
Photographic image on rag paper
25.25 x 35,25 cm (10.1 x 14.1”)

Unsettled #30, Ireland’s Eye, Trinity Bay 1998
Photographic image on rag paper
25.25 x 35,25 cm (10.1 x 14.1”)

Unsettled #36, Indian Burying Place, Notre Dame Bay 1998
Photographic image on rag paper
25.25 x 35,25 cm (10.1 x 14.1”)

Unsettled #41, Corbin, Placentia Bay 1998
Photographic image on rag paper
25.25 x 35,25 cm (10.1 x 14.1”)

Unsettled #47, Ireland’s Eye, Trinity Bay 1990
Photographic image on rag paper
25.25 x 35,25 cm (10.1 x 14.1”)

Unsettled #49, Kerley’s Harbour, Trinity Bay 1998
Photographic image on rag paper
25.25 x 35.25 cm (10.1 x 14.1”)

Unsettled #53, St. Kyran’s, Placentia Bay 1998
Photographic image on rag paper
25.25 x 35,25 cm (10.1 x 14.1”)

Gayle Young

CrossWaves2017
Pre-recorded sound