Works in Exhibition

Rock Piece (Ahuriri Edition) 2019
Video projection, speakers, and printed score / Projection vidéo, haut-parleurs et partition imprimée Duration / Durée : 4 minutes

FORECAST: Learning the Signals/Change is Coming 2021
Data-gathering website, flag, flagpole, seed packets, yarrow and harebell seeds / Site de collecte de données, drapeau, hampe, sachets de graines, graines d’achillée millefeuille et de campanule

Extinction 2021
Wood, steel, tar / Bois, acier, goudron
8.2 x 3 x 2.5 m (27 x 10 x 8’)

When the Rubber Meets the Road 2018
Used tires / Pneus usagés
5 x 1 x 1.2 m (16 x 3 x 4’)

Human Wireless Charging Stations 2021
5 starfish forms digitally printed on neoprene / 5 impressions numériques d’étoiles de mer sur néoprène
Dimensions various / variables

Commissioned by Bonavista Biennale / Commande de la Biennale Bonavista

Sync or Swim 2021
Polyethylene tank, 200 Denier TPU heat-sealing fabric, recycled poly-cotton stuffing, reflective material, LED lighting, UV filtration and water pump / Réservoir de polyéthylène, tissu thermocollant TPU de 200 deniers, bourre de coton et polyester recyclée, matière réfléchissante, éclairage à DEL, filtre anti-UV et pompe à eau
Fish tub / Bac à poissons : 244 x 127 cm (96 x 50”)
14 life preservers / gilets de sauvetage : 112 x 20 cm (44 x 8”)

Between the Earth and the Firmament, Blast Hole Pond Road, Newfoundland 2020 (excerpts from the series / extraits d’une série) 

On the Frozen Blast Hole Pond River, Winter 2020
On the Bedrock at the Riverbend, Summer 2020
On the Ledge of the Tolt, Autumn 2020

Each / Chaque assemblage : 100% cotton vellum paper with charcoal frottage/rubbing, two photographs printed on adhesive-backed polyester photo fabric with hand-written text in pigment ink, and painted pine hanging bars. / Papier vélin de pur coton, avec frottage au fusain, deux photographies imprimées sur tissu photo de polyester adhésif avec texte manuscrit à l’encre pigmentaire, et barres de suspension en pin peint

Installed dimensions (including hanging bars) / Dimensions de l’installation (avec barres de suspension) : 91 inches/7 feet 7 inches high x 106 inches/8 feet 10 inches wide / 91 po/7 pi 7 po de hauteur x 106 po/8 pi 10 po de largeur / (231 x 269 cm)

Camper 2021
Site-specific installation: Ford F150 truck, 1971 camper cap, acrylic paint, reflective glass beads, theatrical gels, ready-made objects / Installation in situ : camion Ford F150, boîte-campeur de 1971, peinture acrylique, billes de verre réfléchissantes, gels colorants, objets préfabriqués 

Commissioned by Bonavista Biennale / Commande de la Biennale Bonavista 

To build a fire 2021

Cache 2021
Drawing / Dessin
76 x 56 cm (30 x 22”)

No Walden 2021
Drawing / Dessin
76 x 56 cm (30 x 22”)

Old plans for the future 2021
Drawing / Dessin
76 x 56 cm (30 x 22”)

Pushed 2021
Drawing / Dessin
76 x 56 cm (30 x 22”)

Under the Gore-Tex Sun 2021
Drawing / Dessin
76 x 56 cm (30 x 22”)

A New Guide fig 1 2019
Intaglio and letterpress /
Gravure en creux et typographie
13 x 13 cm (5 x 5”)

A New Stronghold 2019
Intaglio / Gravure en creux
41 x 56 cm (16 x 22”)

You finally got the peace and quiet you were looking for 2020
Intaglio / Gravure en creux
76 x 56 cm (30 x 22”)

The mountains became meaner 2020
Intaglio / Gravure en creux
76 x 56 cm (30 x 22”)

Big Salmon 2016
Lithography / Lithographie
56 x 76 cm (22 x 30”)

A fire stronger than god 2021
Lithography / Lithographie
76 x 56 cm (30 x 22”)

Phos-chek refuge 2021
Lithography / Lithographie
25 x 20 cm (10 x 8”)

Phos-chek tree blazes 2021
Lithography / Lithographie
25 x 20 cm (10 x 8”)

A refuge 2020
Mezzotint / Mezzotinto
18 x 13 cm (7 x 5”)

A start 2020
Mezzotint / Mezzotinto
18 x 13 cm (7 x 5”)

Peak 2020
Mezzotint / Mezzotinto
8 x 8 cm (3 x 3”) 

Solace in darkness 2020
Mezzotint / Mezzotinto
13 x 18 cm (5 x 7”)

Cold Preserve 2021
Mezzotint / Mezzotinto
18 x 13 cm (7 x 5”)

Cabin from near Hootalinqua, Yukon. Less Walden, closer to Kaczynski. 2021
Relief woodblock sculpture, drawings, ash / Sculpture de xylographie, dessin, cendre
76 x 61 x 122 cm (30 x 24 x 48”)

A Supertramp’s trap 2017
Found book, trap, intaglio print / Livre trouvé, piège, gravure en creux
30 x 30 x 8 cm (12 x 12 x 3”)

Quotes and scrawls 2019
11 letterpress prints hung throughout exhibition taken from various sources but in particular Sara Tilley’s Duke, Jack London, Life Below Zero (TV show), and the artist. / 11 compositions typographiques disséminées dans l’exposition, tirées de sources diverses, dont Duke de Sara Tilley, d’oeuvres de Jack London, de l’émission télé Life Below Zero et de l’artiste

to build a fire 2021
Limited edition take-away / Édition limitée à emporterEdition 90 with 10 artist proofs / Édition 90 contenant des épreuves de 10 artistes

strata 2021
Mural on exterior of house / Murale sur l’extérieur d’une maison
Exterior house paint / Peinture d’extérieur
8 x 4.5 m (26 x 15’) ; 4.25 x 4.5 m (14 x15’) 

Commissioned by Bonavista Biennale / Commande de la Biennale Bonavista 

Out of Time 2021
Screenprint and drawing on paper, resin, natural material, monofilament / Sérigraphie et dessin sur papier, matière naturelle, monofilament
Drawing / Dessin : 36.5 m x 91 cm (12’ x 36’’)

Commissioned by Bonavista Biennale / Commande de la Biennale Bonavista 

Unhistoric Acts 2021
Site-specific installation / Installation in situ
Polycotton fabric, chiffon, thread, embroidery floss, wooden fish flake / Tissu de polyester-coton, crêpe chiffon, fil, fil floche, vigneaux en bois

Presented in partnership with the Craft Council of Newfoundland and Labrador / Présenté en partenariat avec le Craft Council of Newfoundland and Labrador

Bodies on the Beach 2021
Red paint, wood / Peinture rouge, bois 

Commissioned by Bonavista Biennale / Commande de la Biennale Bonavista 

Hydro 2019
Multi-media installation: lightbulbs, electric cabling, mirror-polished aluminum, sound / Installation multimédia : ampoules, câblage électrique, aluminium poli miroir, son 240 x 180 x 180 cm (96 x 72 x 72”) 

Commissioned by The National Film Board of Canada / Commande de l’Office national du film du Canada
On loan from The National Film Board of Canada / Prêt de l’Office national du film du Canada

Ghosts of a Gathering 2021
Projections, video loop with score / Projections, boucle vidéo avec trame sonore
Duration / Durée : 23 minutes

Black Island 2020–2021 (on-going series / série en cours) 

All works: Mixed media painting on birch panel / Toutes les oeuvres : technique picturale mixte sur panneau de bouleau 

Bar (night) 2021
76 x 76 cm (30 x 30″)

Blackberry 2021
50 x 50 cm (20 x 20″)

Breaking tow (diptych / diptyque) 2021
244 x 122 cm (96 x 48″)

Buoy (red right returning) 2021
122 x 122 cm (48 x 48″)

Camp (diptych / diptyque) 2021
152 x 76 cm (60 x 30″)

Curse 2021
50 x 50 cm (20 x 20″)

Drogue 2021
50 x 50 cm (20 x 20″)

Fetch (southwest wind) 2021
50 x 50 cm (20 x 20″)

Fogloom 2021
50 x 50 cm (20 x 20″)

Island (empty boat with corpse) 2021
76 x 76 cm (30 x 30″)

Kiars Cove 2021
122 x 122 cm (48 x 48″)

Lun 2021
122 x 122 cm (48 x 48″)

Open ground 2021
76 x 76 cm (30 x 30″)

Sewels 2021
122 x 122 cm (48 x 48″)

Shroud (glass over wood) 2021
122 x 122 cm (48 x 48″)

Sunker 2021
50 x 50 cm (20 x 20″)

Ten foot oars (diptych / diptyque) 2021
152 x 76 cm (60 x 30″)

Wake 2021
76 x 76 cm (30 x 30″)

After the Cryogenic (Snowball Earth) 2021
Site-specific installation / Installation in situ
10 photographs printed on aluminum panels, plywood / 10 photographies imprimées sur panneaux d’aluminium, contreplaqué
Each panel / Chaque panneau : 45 x 36 cm (18 x 14”) 

Disappearance (diptych / diptyque) 2021
Light boxes / Boîtes lumineuses
Overall dimensions / Dimensions totales 68 x 183 x 5 cm (27 x 72 x 2”)

Inversions (two images / deux images) 2021
Light boxes / Boîtes lumineuses
Each / Chacune 68 x 89 x 0.77 cm (27 x 35 x 2”)

Preface for a Liturgy (Blood Ledger) 2021
Projection, textile, plumb bob, carpenters’ pencils, speakers / Projection, textile, fil à plomb, crayons de menuisier, haut-parleurs

Sardinia 2016
Site-specific video installation: recycled plastic, wood, found materials, video projection and sound / Installation vidéo in situ : plastique recyclé, bois, matériel trouvé, projection vidéo et bande sonore
Original sound / Bande sonore originale : David Cheney + Charles Harding. Video editing / Montage vidéo : Ryan O’Toole 

To trace the forests wild 2021
Site-specific installation: wool, cotton, linen, natural dyes, glass crystals, fur, taxidermy form, found materials / Installation in situ : laine, coton, lin, teintures naturelles, cristaux de verre, fourrure, forme de taxidermie, matériel trouvé
Approximate diameter / Diamètre d’environ 3.0 m (10’)

All photographs: Giclee prints in latex inks on polyester textile with blackout back / Toutes les photos : estampes numériques à l’encre latex sur tissu de polyester d’obscurcissement

Duck Picking 2020
198 x 152 cm (78 x 60”)

Scull of Harp Seals 2020
UAV image / Image par drone
183 x 140 cm (72 x 55”)

Spring Hunt 2020
UAV image / Image par drone
152 x 183 (60 x 72”) 

Sustenance 2018
UAV image / Image par drone
152 x 254 cm (60 x 100”)

Out to the Ice Edge 2020
122 x 183 cm (48 x 72”)

Seal Going Under 2019
183 x 122 cm (72 x 48”)

Duck Eggs 2012
122 x 183 cm (48 x 72”)

Nature’s Curves 2015
223 x 152 cm (88 x 60”)

On Top of the Mountain 2020
Nikon D5300
122 x 183 cm (48 x 72”)

nutshimit 2015
Nikon FM10 ; digital composite / photo composite numérique
152 x 305 cm (60 x 12”)

Manage 2021
122 x 183 cm (48 x 72 in”)