Regeneration | Régénération | Piguttaugiallavalliajuk | Ussanitauten: Seven Northern Labrador Photographers / Sept photographes du Labrador nordique

Eldred Allen
BORN / NÉ À North West River, NL / TN
LIVES / HABITE À Rigolet, Nunatsiavut, NL / TN

Samantha Jacque
BORN / NÉE À St. John’s, NL / TN
LIVES / HABITE À Postville, Nunatsiavut, NL / TN

Melissa Tremblett
BORN / NÉE À Happy Valley-Goose Bay, NL / TN
LIVES / HABITE À Elmastukwek, Ktaqmkuk / Bay of Islands, NL / TN 

Gary Andersen
BORN / NÉ À Happy Valley-Goose Bay, NL / TN
LIVES / HABITE À Makkovik, Nunatsiavut, NL / TN

Holly Andersen
BORN / NÉE À Happy Valley-Goose Bay, NL / TN
LIVES / HABITE À Makkovik, Nunatsiavut, NL / TN 

Jennie Williams
BORN / NÉE À Happy Valley-Goose Bay, NL / TN
LIVES / HABITE À Nain, Nunatsiavut, NL / TN

Wayne Broomfield
BORN / NÉ À North West River, NL / TN
LIVES / HABITE À St. John’s, NL / TN 

Regeneration | Régénération | Piguttaugiallavalliajuk | Ussanitauten 2012– 2021
Photography / Photographie
Site 1 – Quinton Premises, Red Cliff

This group exhibition is a Biennale response to the COVID-19 pandemic’s diminishing of already limited opportunities for artists in remote communities. These photographers, like other Biennale participants, responded to the invitation to consider humans’ relationships with “wildness” in the present era. This project was supported by the Government of Canada’s Emergency Community Support Fund and the Community Foundation of Newfoundland and Labrador, and curated with the assistance of Jessica Winters, an emerging curator from Makkovik. 

Six Regeneration | Piguttaugiallavalliajuk | Ussanitauten photographers are from Nunatsiavut, the autonomous Inuit region of Northern Labrador; Melissa Tremblett is from Sheshatshiu, an Innu community. Most are self-taught. Approaches vary. Some use sophisticated equipment, including drones, and digital editing tools to refine their imagery; others are content with a simpler process. But all have grown up within Labrador’s “wild” and most continue to live and work there, nourished by traditional cultures rooted in its immense land mass and turbulent fresh and salt waters. The threads linking these works are woven by people with deep knowledge of place: the behaviours of birds and animals; seasonal cycles for hunting and gathering; how to gauge ice thickness; how to navigate seemingly trackless terrain and brutal weather. This lived practical experience enhances their ability to respond to the varied beauty of the natural environment—and, more urgently, to recognize a responsibility to respect and protect it.

The Regeneration | Piguttaugiallavalliajuk | Ussanitauten installation is a conjunction of past and future. Its site, the Quinton Premises, a 19th-century independent outport fish merchant enterprise, comes out of the British colonial past. But the large-scale photographs that occupied it during the Biennale are by artists of today, working within a self-governing Indigenous culture, helping to shape its future.

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The Biennale curators acknowledge and value the participation of Special Project Co-ordinating Curator Jessica Winters in Makkovik.

 

Special Project Co-ordinating Curator / Commissaire coordonnatrice de l’exposition spéciale 

Jessica Winters is a painter, printmaker, textile artist and emerging curator from Makkovik, Nunatsiavut, NL. Jessica has been heavily influenced by her studies in biology, and uses her work to advocate for the preservation of Inuit culture, values and surrounding environment. Jessica has exhibited in group shows, including Nunatsiavut: Our Beautiful Land at La Guilde gallery in Montreal (2019), Of Myths and Mountains (2020) and The Wish150 Newfoundland & Labrador Mosaic (2017), both at The Rooms in St. John’s, NL. In 2019, she curated Billy Gauthier: Saunituinnaulungitotluni | Beyond Bone at The Rooms. 

TOP : Samantha Jacque, On Top of the Mountain 2020 ; Eldred Allen, Scull of Harp Seals 2020 ; Gary Andersen, Out to the Ice Edge 2020.

Eldred Allen, Spring Hunt 2020 (installation view / montage de l’installation). UAV image / Image par drone, 152 x 183 cm (60 x 72”).

Wayne Broomfield, Nature’s Curves 2015. Photo : Courtesy of the artist / Gracieuseté de l’artiste.

Melissa Tremblett, nutshimit 2015. Nikon FM10 ; digital composite / photo composite numérique, 152 x 305 cm (60 x 12”). Photo : Courtesy of the artist / Gracieuseté de l’artiste.

Samantha Jacque, On Top of the Mountain 2020. Nikon D5300, 122 x 183 cm (48 x 72”). Photo : Courtesy of the artist / Gracieuseté de l’artiste.

Jennie Williams, Manage 2021. 122 x 183 cm (48 x 72 in”). Photo : Courtesy of the artist / Gracieuseté de l’artiste.

Eldred Allen, Spring Hunt 2020. Photo : Courtesy of the artist / Gracieuseté de l’artiste.

Gary Andersen, Out to the Ice Edge 2020. Photo : Courtesy of the artist / Gracieuseté de l’artiste.

Eldred Allen, Scull of Harp Seals 2020. UAV image / Image par drone, 183 x 140 cm (72 x 55”). Photo : Courtesy of the artist / Gracieuseté de l’artiste.

Holly Andersen, Duck Eggs 2012 (detail / détail). Photo : Courtesy of the artist / Gracieuseté de l’artiste.

More about Regeneration | Régénération | Piguttaugiallavalliajuk | Ussanitauten: Seven Northern Labrador Photographers / Sept photographes du Labrador nordique

Eldred Allen rigorously maps the world around him using a combination of hand-held 360° photosphere cameras, drones and 3D modelling. He has garnered attention for his expansive and stunningly lit landscape and wildlife scenes, whose composition and colouring elevate their everyday subject matter to the extraordinary. Allen’s work was featured in the September 2019 online exhibition Looking Down From Up (Gallery 44 in collaboration with the Inuit Art Quarterly), and Nunatsiavut: Our Beautiful Land which opened at La Guilde in Montreal (2019).

Gary Andersen’s involvement in photography started when he gave his spouse a camera for Christmas and used it more than she did. Photography continued as a self-taught interest that has grown over the years. He enjoys capturing all types of photography including portraits, landscapes, night scenes, wildlife, plants, insects, macro and everyday life, especially things most people don’t get to experience in a lifetime.

Holly Andersen is interested in photography’s ability to preserve moments in time, or capture minute details. Her practice encompasses a wide range of subjects including candid and portraiture photography of family and friends, macro photography of insects and nature, and landscape photography including local wildlife. She is a participant in the National Film Board’s Labrador Docs Project, where her film focuses on the relocation of Inuit residents to other Labrador coastal communities around 1959 when the Moravian mission at Hebron closed down.

A voyager, adventurer, globe-trotter and seeker of nature’s truth, Wayne Broomfield has travelled from the Arctic to the Antarctic. He is one of the few Inuit people to migrate between Earth’s poles. His people and culture come from Nunatsiavut, which means “Our Beautiful Land”. An advocate for the planet, sustainability and Mother Nature herself, Wayne has participated in movies with National Geographic and photo sessions of the great North and South, sharing stories and adventures with people who love to listen to his uncommon tales.

Photography has been an interest of Samantha Jacque’s for many years. Wherever she goes, whether hunting, fishing or wooding, she always has her camera with her. She loves the outdoors, and nature always inspires her to continue photography. She has had the honour of having her photographs included in the SakKijajuk: Art and Craft from Nunatsiavut exhibition (organized by The Rooms and touring nationally) and the exhibition Our Beautiful Land at La Guilde in Montreal, QC.

Melissa Tremblett is a visual artist of Innu and English heritage from Sheshatshiu, Labrador. A graduate of Grenfell College’s Visual Arts Program, Tremblett works with installation, performance and photography, as well as traditional techniques of doll-making and beading, to explore identity, community and transmission of knowledge. She has had residencies at Labrador Research Institute, North West River, the Banff Centre and The Rooms, where her residency led to a solo show Reprise, 2020. She was in Future Possible at The Rooms (2019).

A self-taught Inuk photographer and filmmaker, Jennie Williams photographs people in their everyday environments and circumstances, working to document practices and traditions in the manner that they are celebrated in Labrador today. Her examination of the Nalujuk Night tradition was the subject of the 2016 exhibition A Way of Life and she is finalizing a film on the subject as part of the National Film Board’s Labrador Docs Project. Williams was included in the touring exhibition SakKijajuk: Art and Craft from Nunatsiavut exhibition.