2019 Bonavista Biennale
FLOE
August 17–September 15, 2019
Curators: Catherine Beaudette, David Diviney and Matthew Hills
(opens in new tab)
Artists
Jordan Bennett
Bob Blumer
María Magdalena Campos-Pons
Ian Carr-Harris + Yvonne Lammerich
Kym Greeley
Robert Hengeveld
Anna Hepler
Jason Holley
Thaddeus Holownia
Barb Hunt + Jane Walker
Mark Igloliorte
Wanda Koop
Meagan Musseau
Sean Patrick O’Brien
Paulette Phillips
Meghan Price
Jerry Ropson
Camille Turner
D’Arcy Wilson
Image Gallery
-
- Meagan Musseau, Me’ki’tetmek na Maqmikewminen | may-ghee-day-dm-eeeeck na moq-ah-mi-go-me-nen, 2019, land-based performance with red satin, braiding; Jenelle Duval, song and drum. Performance view, net-drying grounds, Duntara, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Kym Greeley, It’s Not Fair, 2019, acrylic on canvas with screenprint, 5 panels, 91 x 60 cm each. Installation view, Fishermen’s Protective Union Store, Port Rexton, 2019 Bonavista Biennale. Photo : m + e photography.
-
- Sean Patrick O’Brien, Bergmál, 2019, heat-shrink Dacron, metal tubing, plastic tubing, recycled foam, glue, paint, hardware. Commissioned by Bonavista Biennale. Installation view, Champney’s Cove, Champney’s West, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Mark Igloliorte, Seal Skin Neck Pillow, 2019, seal skin. Installation view, Hiscock House, Trinity, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Camille Turner, Afronautic Research Lab: Newfoundland Edition, 2019, video still, video performance, mixed media. Created for the 2019 Bonavista Biennale.
-
- Jordan Bennett, Pi’tawe’k, 2019, acrylic paint on wall, 3M Diamond Grade reflective prints on Alupanel. Produced with support from Paint Shop, Bonavista. Installation view, Wellness Centre, Bonavista, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Jerry Ropson, water at the bottom of the ocean, rocks upon the shore, 2018–2019, hand-painted and dyed textile banners with embroidery, ceramics, wood, paint, aluminum casts, rock, twine, dried fruit, powdered pigment, and digital audio. Installation view, Coaker Factory, Port Union, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- María Magdelena Campos-Pons, My mother told me I was Chinese 2004, video, 5:10 mins. Installation view, St. James Anglican Church, King’s Cove, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Robert Hengeveld, passing where to, 2019, site-responsive transitory sculpture, aluminum square tubing. Commissioned by the 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Bob Blumer, Know Your Triggers, 2019, trigger mitts, wool, found objects, Gloria Pardy, knitting, from Museum of New Found Curiosities, 2019. Commissioned by Bonavista Biennale. Installation view, Union House Arts, Port Union, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Paulette Phillips, The Quoddy Fold, 2019, HD video, 60:00 mins. Installation view, Lester-Garland House, Trinity, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Jason Holley, Obligation, 2019, porcelain and stoneware. Installation view, 2 Rooms Contemporary Art Projects, Duntara, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- D’Arcy Wilson, #1 Fan (Help! Mat), 2018, hooked rug (wool and linen), 50.8 x 76.2 cm. Installation view, Duntara Hall, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Wanda Koop, SEEWAY FLOE, 2019, series of six paintings, acrylic on canvas. Installation view, Fishers’ Loft Conference Centre, Port Rexton, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Meghan Price, New Balance, 2017, series of works made with athletic shoes. Installation view, Old Post Office, Port Rexton, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Thaddeus Holownia, Corks, 2019, series of archival pigment prints. Installation view, Salt Fish Plant, Catalina, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Anna Hepler, Mooring, 2019, cardboard, staples, fasteners. Installation view, Ryan Premises Salt Store, Bonavista, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Barb Hunt + Jane Walker, This slow loss reminds us to move, 2019, installation with discarded fabric flowers from Newfoundland cemeteries. Installation view, St. Mary’s Anglican Church, Elliston, 2019 Bonavista Biennale. Photo: Brian Ricks.
-
- Ian Carr-Harris + Yvonne Lammerich, Theoris: a paradox, 2018, plywood, wood, hardboard, metal hardware. Installation view, Salt Fish Plant, Catalina, 2019 Bonavista Biennale. Photo: Brian Ricks.
